{ "entity_id": "S-TAS-030", "folder": "Screen-Tasmania", "name": "Screen Tasmania", "type": "Statutory Authority", "jurisdiction": "TAS", "portfolio": "Arts", "website": "https://www.screen.tas.gov.au/", "data_status": "partial", "completeness": { "has_strategy_brief": false, "has_strategy_structured": true, "has_vision": false, "has_kpi_targets": false, "has_kpi_results": false, "has_strategy_overview": true, "has_legislation_text": true, "has_legislation_structured": false, "has_global_initiatives_text": false, "has_ideas": true, "has_artifacts": true, "n_ideas": 12, "n_legislation": 0, "n_artifacts": 2, "n_kpi_targets": 0, "n_kpi_results": 0, "n_outcomes": 0, "verified_own_data": true }, "strategy_profile": { "status": "needs_review", "confidence": "medium", "summary": "", "official_site_url": "https://www.screen.tas.gov.au/", "source_documents": [], "purpose": null, "vision": null, "strategic_priorities": [], "values": [], "outcomes": [], "performance_measures": [], "document_alignment_terms": { "must_support": [], "watch_terms": [], "avoid_claiming_without_evidence": [] }, "review_note": "Structured strategy exists but is incomplete." }, "strategy_brief_md": null, "strategy_overview_evidence_md": null, "internal_strategy_evidence_md": "# Screen Tasmania - Strategy, Performance, and Operating Profile\n\n**Generated at**: 2026-05-09T23:00:28.580924+00:00\n**Entity ID**: S-TAS-030\n**Entity type**: Statutory Authority\n**Jurisdiction**: TAS\n**Portfolio**: Arts\n**Website**: https://www.screen.tas.gov.au/\n\n> Draft generated from scraped source material. Treat this as an evidence pack for editorial review, not a final judgement.\n\n## Source Coverage\n\n| Source type | Count |\n|---|---:|\n| other-pdfs | 2 |\n| pages | 31 |\n\n## Executive Readout\n\n### Purpose\n\n- Intermediate Stage\nThe Sanctuary –\n6 x 1 hr documentary series ($20,000)\nProduction company – Spectral Media\nExecutive Producer – Ross Dinerstein\nProducers – Fraser Johnston, David Elliot Jones, Dave LaMattina\nDirectors – Fraser Johnston, Dave LaMattina\nWriter – David Elliott Jones\nBonorong Wildlife Sanctuary is on a mission to Rescue, Rehabilitate and Release iconic Australian wildlife in trouble.\n Source: `pages/media-releases-index__08.html (https://www.screen.tas.gov.au/funding/approvals/december_2023)`\n- Indomitable: The Pacific Peacemaker Story – 30 min documentary ($10 000)\nProducer/Director/Writer: Brendan Shoebridge\nExecutive Producer: Anne Delaney\n1981: Witness the zany heroics of two seemingly ordinary antipodean tradies and their novice crew as they sail across the Pacific Ocean on a daring mission: to blockade the most destructive weapon ever devised; the Trident submarine.\n Source: `pages/media-releases-index__21.html (https://www.screen.tas.gov.au/funding/approvals/june_2020)`\n- You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070\n Source: `pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)`\n- Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell\nWriter/Director – Daniel Peek\nScript Editor - Michele Tunure-Salleo\nTrapped and injured in a car wreck, a bank robber negotiates the return of his kidnapped daughter.\n Source: `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)`\n\n### Role and Functions\n\n- Intermediate Stage\nBruny –\n6 x 1 hr drama series ($15,000)\nProduction Company – Film Art Media\nProducers – Sue Maslin, Charlotte Seymour\nWriters – Suzie Miller, Adam Thompson\nBruny\nis an incendiary environmental political thriller drama series about family, love, loyalty and the new world order\nDog Island\n– 90 min feature drama ($15,000)\nProduction Company – kutikina Productions\nProducers/Writers – Nathan Maynard, Adam Thompson\nMentor/Consultant – Justin Kurzel\nA 13-year-old pakana boy takes on the responsibilities of an adult when his father drowns on a remote muttonbird island in Bass Strait.\n Source: `pages/media-releases-index__11.html (https://www.screen.tas.gov.au/funding/approvals/march_2023)`\n- Confidentiality\nresponsibility for any loss or damage that may\nThe Tasmanian Government may use and arise from anything contained in or omitted\ndisclose the information provided by applicants from or that may arise from the use of this\nfor the purposes of discharging its respective document, and any person relying on this\nfunctions under the Program Guidelines and document and the information it contains does\notherwise for the purposes of the program and so at their own risk absolutely.\n Source: `other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)`\n- You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070\n Source: `pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)`\n- Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell\nWriter/Director – Daniel Peek\nScript Editor - Michele Tunure-Salleo\nTrapped and injured in a car wreck, a bank robber negotiates the return of his kidnapped daughter.\n Source: `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2025\nJune 2025\nProject Development - Intermediate Stage\nFive - 8 x 1 hour drama series ($20,000)\nProduction Company - Easy Tiger Productions\nProducers - Rob Gibson, Ian Collie, Debi Marshall, Mark Morrissey\nWriters - Debi Marshall, Josh Reed, Franz Docherty\nInvestigative crime journalist Maggie Bresnehan is unwillingly drawn back into an investigation surrounding the four disappearances, and likely murders, of female backpackers around Tasmania that span three decades.\n Source: `pages/media-releases-index__03.html (https://www.screen.tas.gov.au/funding/approvals/june-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nFebruary 2025\nFebruary 2025\nProject Development – Intermediate Stage\nRemnant – 90 min Drama ($15,000)\nProduction Company – Good Thing Productions\nProducers – Nick Batzias, Virginia Whitwell\nDirector/Script Writer – Daniel Peek\nScript Editor – Michele Turnure-Salleo\nAlone and injured in the middle of the Tasmanian plateau, a bank robber fights for control of his gang, his family, and his freedom\nSongs for Freedom – 75 min documentary ($20,000)\nProduction Company – Big hART\nExecutive Producers – Angela Prior, Scott Rankin\nProducers – Angela Prior, Patrick Churnsid, Robyn Marias\nDirectors – Scott Rankin – Hillary Balmond\nWriters – Scott Rankin, Patrick Churnsid\nResearcher – Robyn Marias\nDoP – Anna Cadden\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n\n### Strategic Priorities\n\n- [pages 5,6,7]\nof an identified target\n● for conceptual design only, be a audience, identifiable marketing and\nTasmanian practitioner, as part of a distribution opportunities, and the\nTasmanian-based team (this does not potential distribution platforms and\npreclude a Tasmanian-based team revenue streams.\nworking in conjunction with non-\n● The scope of the project and the degree\nTasmanians).\nto which the concept is innovative,\nProjects must: interactive and achievable.\n● be substantially developed in Tasmania Priority will be given to projects that have\nor and/or co-developed by a Tasmanian- marketplace attachment or financial support\nbased studio, and from other screen agencies.\n Source: `other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)`\n- You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070\n Source: `pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)`\n- Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell\nWriter/Director – Daniel Peek\nScript Editor - Michele Tunure-Salleo\nTrapped and injured in a car wreck, a bank robber negotiates the return of his kidnapped daughter.\n Source: `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2025\nJune 2025\nProject Development - Intermediate Stage\nFive - 8 x 1 hour drama series ($20,000)\nProduction Company - Easy Tiger Productions\nProducers - Rob Gibson, Ian Collie, Debi Marshall, Mark Morrissey\nWriters - Debi Marshall, Josh Reed, Franz Docherty\nInvestigative crime journalist Maggie Bresnehan is unwillingly drawn back into an investigation surrounding the four disappearances, and likely murders, of female backpackers around Tasmania that span three decades.\n Source: `pages/media-releases-index__03.html (https://www.screen.tas.gov.au/funding/approvals/june-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nFebruary 2025\nFebruary 2025\nProject Development – Intermediate Stage\nRemnant – 90 min Drama ($15,000)\nProduction Company – Good Thing Productions\nProducers – Nick Batzias, Virginia Whitwell\nDirector/Script Writer – Daniel Peek\nScript Editor – Michele Turnure-Salleo\nAlone and injured in the middle of the Tasmanian plateau, a bank robber fights for control of his gang, his family, and his freedom\nSongs for Freedom – 75 min documentary ($20,000)\nProduction Company – Big hART\nExecutive Producers – Angela Prior, Scott Rankin\nProducers – Angela Prior, Patrick Churnsid, Robyn Marias\nDirectors – Scott Rankin – Hillary Balmond\nWriters – Scott Rankin, Patrick Churnsid\nResearcher – Robyn Marias\nDoP – Anna Cadden\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Project Development – Market Attached\nBay of Fires, season 3 – 6 x 60 min drama ($30,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducer – Marta Dusseldorp\nDirector – Jonathan Brough\nScript Writers – Max Dann, Romina Accurso\nDoP – Martin McGrath\nEditor – Dave Redman\nWriter – Hannah Samuel\nBurning something down doesn’t mean it’s dead\nFlick – 6 x 60 min drama ($30,000)\nProduction Company – Bobblehead Productions\nShowrunners – Katie Robertson, Jack Yabsley\nA daydreaming relationship counsellor accidentally commits manslaughter on an abusive client...\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJuly 2024\nJuly 2024\nProject Development – Intermediate Stage\nThe Ballroom Forest – 8 x 1 hr drama ($20,000)\nProduction company – Sweetpotato Films\nProducer/Writer – Vicki Madden\nDirector – Sian Davies\nWhen Lucinda Tremayne, 17, vanishes after her debutante ball, only to resurface as a victim of murder, her killer believes he can evade justice.\n Source: `pages/media-releases-index__06.html (https://www.screen.tas.gov.au/funding/approvals/july-2024)`\n- Short-form series booster\nThe Big Break\n– 8 x 10 min documentary series ($25,000)\nProduction company – Broken Yellow\nExecutive Producer – Navid Bahadori\nProducers – Grace Pestonji, Elena Arena\nDirectors – Tom Chapman, Eliya Cohen, Ursula Woods\nAustralian breakdancers take the art of breakdancing to the Olympic stage\nMainlanders\n– 6 x 8 min comedy series ($10,000)\nProduction company – Silly Goose Productions\nProducers – Hannah Brooks, Jacob Collings\nWriters – Mick Davies, Ella Watkins\nDirector – Jacob Collings\nAfter surviving Sydney lockdowns, a wealthy mainland family move to Tasmania in an attempt to connect with their misunderstood teenagers, only to find the kids bond with the parents next door.\n Source: `pages/media-releases-index__09.html (https://www.screen.tas.gov.au/funding/approvals/september_2023)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2023\nJune 2023\nMarket Attached Stage\nDear Ghosts\n– 6 x 30 min comedy series ($15,000)\nProduction Company – CJZ\nProducers – Damian Davis, Rachael Taylor\nWriter/Creators – Rachael Taylor, Sarah Scheller\nRecently widowed Marion wants to flee her hometown of Launceston for the fresh start she’s desperately craving, but there are aspects of her life she cannot pack into a suitcase…. the ghost of her dead husband for a start!\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n- Ground Up\n– 6 x 30 min comedy series ($15,000)\nWriter – Gary McCaffrie\nScript Editor/Director – Shaun Micallef\nThe Grot\n– 10 x 22 min animated comedy series ($15,000)\nProduction Company – Mighty Nice\nExecutive Creative Director - Darren Price\nCreative Producer- Matt Taylor\nEpisodic Director - Bonnie Forsyth\nLead Writer - Courtney Collins\nWriters - Dylan Hesp, Nathan Maynard, Michael O'Neill\nStory Editor - Vicki Madden\nA crime comedy about deception, family and discovering what it takes to get filthy rich. 'The Grot' is a visceral animated series aimed at an audience aged 12 years plus.\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n\n## KPIs, Targets, and Where They Are At\n\n- Tassie's HOT Right Now – 3 x 1 hour documentary series ($15 000)\nWriters/Producers: Celia Boden, Sue Clothier\nTassie's Hot Right Now\nshines a light on those people who have made the life changing decision to move to Tasmania as a direct result of climate change.\n Source: `pages/media-releases-index__23.html (https://www.screen.tas.gov.au/funding/approvals/april_2020)`\n- [pages 5,6,7]\nof an identified target\n● for conceptual design only, be a audience, identifiable marketing and\nTasmanian practitioner, as part of a distribution opportunities, and the\nTasmanian-based team (this does not potential distribution platforms and\npreclude a Tasmanian-based team revenue streams.\nworking in conjunction with non-\n● The scope of the project and the degree\nTasmanians).\nto which the concept is innovative,\nProjects must: interactive and achievable.\n● be substantially developed in Tasmania Priority will be given to projects that have\nor and/or co-developed by a Tasmanian- marketplace attachment or financial support\nbased studio, and from other screen agencies.\n Source: `other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)`\n- [Page 6]\n2.1 Additional criteria for Applicants without internet access should\ncontact Screen Tasmania to discuss alternative\nProduction and Release\nmethods.\n● Evidence of potential end user/target\n1.\n Source: `other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nGames Development\nProduction and Release\nProduction and Release\nProduction and release can provide a maximum amount of $50,000 per project where a project is production-ready and its potential end user/target market and revenue streams can be confidently quantified.\n Source: `pages/media-releases-index.html (https://www.screen.tas.gov.au/funding/game_development/production_and_development)`\n- It encourages Tasmanians to develop, adopt\nThe aim of this stage of funding is to prepare\nand exploit new and emerging business\nthe project for raising additional finance for\nmodels for the creation and delivery of\nfull-scale development.\ncompelling screen content, with a focus on\nthe creation and retention of Tasmanian Production and release can provide a\nintellectual property. maximum amount of $50,000 per project\nwhere a project is production-ready and its\nThe program enables applicants to release\npotential end user/target market and revenue\na finished product or attract further\nstreams can be confidently quantified.\ndevelopment and/or production investment\nfrom the marketplace.\n Source: `other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)`\n- You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070\n Source: `pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)`\n- Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell\nWriter/Director – Daniel Peek\nScript Editor - Michele Tunure-Salleo\nTrapped and injured in a car wreck, a bank robber negotiates the return of his kidnapped daughter.\n Source: `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2025\nJune 2025\nProject Development - Intermediate Stage\nFive - 8 x 1 hour drama series ($20,000)\nProduction Company - Easy Tiger Productions\nProducers - Rob Gibson, Ian Collie, Debi Marshall, Mark Morrissey\nWriters - Debi Marshall, Josh Reed, Franz Docherty\nInvestigative crime journalist Maggie Bresnehan is unwillingly drawn back into an investigation surrounding the four disappearances, and likely murders, of female backpackers around Tasmania that span three decades.\n Source: `pages/media-releases-index__03.html (https://www.screen.tas.gov.au/funding/approvals/june-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nFebruary 2025\nFebruary 2025\nProject Development – Intermediate Stage\nRemnant – 90 min Drama ($15,000)\nProduction Company – Good Thing Productions\nProducers – Nick Batzias, Virginia Whitwell\nDirector/Script Writer – Daniel Peek\nScript Editor – Michele Turnure-Salleo\nAlone and injured in the middle of the Tasmanian plateau, a bank robber fights for control of his gang, his family, and his freedom\nSongs for Freedom – 75 min documentary ($20,000)\nProduction Company – Big hART\nExecutive Producers – Angela Prior, Scott Rankin\nProducers – Angela Prior, Patrick Churnsid, Robyn Marias\nDirectors – Scott Rankin – Hillary Balmond\nWriters – Scott Rankin, Patrick Churnsid\nResearcher – Robyn Marias\nDoP – Anna Cadden\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Project Development – Market Attached\nBay of Fires, season 3 – 6 x 60 min drama ($30,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducer – Marta Dusseldorp\nDirector – Jonathan Brough\nScript Writers – Max Dann, Romina Accurso\nDoP – Martin McGrath\nEditor – Dave Redman\nWriter – Hannah Samuel\nBurning something down doesn’t mean it’s dead\nFlick – 6 x 60 min drama ($30,000)\nProduction Company – Bobblehead Productions\nShowrunners – Katie Robertson, Jack Yabsley\nA daydreaming relationship counsellor accidentally commits manslaughter on an abusive client...\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJuly 2024\nJuly 2024\nProject Development – Intermediate Stage\nThe Ballroom Forest – 8 x 1 hr drama ($20,000)\nProduction company – Sweetpotato Films\nProducer/Writer – Vicki Madden\nDirector – Sian Davies\nWhen Lucinda Tremayne, 17, vanishes after her debutante ball, only to resurface as a victim of murder, her killer believes he can evade justice.\n Source: `pages/media-releases-index__06.html (https://www.screen.tas.gov.au/funding/approvals/july-2024)`\n- Short-form series booster\nThe Big Break\n– 8 x 10 min documentary series ($25,000)\nProduction company – Broken Yellow\nExecutive Producer – Navid Bahadori\nProducers – Grace Pestonji, Elena Arena\nDirectors – Tom Chapman, Eliya Cohen, Ursula Woods\nAustralian breakdancers take the art of breakdancing to the Olympic stage\nMainlanders\n– 6 x 8 min comedy series ($10,000)\nProduction company – Silly Goose Productions\nProducers – Hannah Brooks, Jacob Collings\nWriters – Mick Davies, Ella Watkins\nDirector – Jacob Collings\nAfter surviving Sydney lockdowns, a wealthy mainland family move to Tasmania in an attempt to connect with their misunderstood teenagers, only to find the kids bond with the parents next door.\n Source: `pages/media-releases-index__09.html (https://www.screen.tas.gov.au/funding/approvals/september_2023)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2023\nJune 2023\nMarket Attached Stage\nDear Ghosts\n– 6 x 30 min comedy series ($15,000)\nProduction Company – CJZ\nProducers – Damian Davis, Rachael Taylor\nWriter/Creators – Rachael Taylor, Sarah Scheller\nRecently widowed Marion wants to flee her hometown of Launceston for the fresh start she’s desperately craving, but there are aspects of her life she cannot pack into a suitcase…. the ghost of her dead husband for a start!\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n- Ground Up\n– 6 x 30 min comedy series ($15,000)\nWriter – Gary McCaffrie\nScript Editor/Director – Shaun Micallef\nThe Grot\n– 10 x 22 min animated comedy series ($15,000)\nProduction Company – Mighty Nice\nExecutive Creative Director - Darren Price\nCreative Producer- Matt Taylor\nEpisodic Director - Bonnie Forsyth\nLead Writer - Courtney Collins\nWriters - Dylan Hesp, Nathan Maynard, Michael O'Neill\nStory Editor - Vicki Madden\nA crime comedy about deception, family and discovering what it takes to get filthy rich. 'The Grot' is a visceral animated series aimed at an audience aged 12 years plus.\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n\n## Key Metrics\n\n| Values found | Evidence | Source |\n|---|---|---|\n| $50,000 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nGames Development\nProduction and Release\nProduction and Release\nProduction and release can provide a maximum amount of $50,000 per project where a project is production-ready and its potential end user/target market and revenue streams can be confidently quantified. | `pages/media-releases-index.html (https://www.screen.tas.gov.au/funding/game_development/production_and_development)` |\n| $15 | Skills for Survival – 110 minute drama feature ($15 000)\nProduction Company: GGG Films\nExecutive Producer: Sue Maslin\nProducers: Gillian Crosby, Gabrielle McLeod\nWriter/Director: Greta Nash\nOn school camp, 14-year-old Tamar attempts to join the ranks of the popular group at the expense of her best friend Eddy - pushing their friendship into dangerous new territory. | `pages/media-releases-index__19.html (https://www.screen.tas.gov.au/funding/approvals/december_2020)` |\n| $50,000 | It encourages Tasmanians to develop, adopt\nThe aim of this stage of funding is to prepare\nand exploit new and emerging business\nthe project for raising additional finance for\nmodels for the creation and delivery of\nfull-scale development.\ncompelling screen content, with a focus on\nthe creation and retention of Tasmanian Production and release can provide a\nintellectual property. maximum amount of $50,000 per project\nwhere a project is production- | `other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)` |\n| $20,000, $12,000 | Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell | `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)` |\n| $20,000 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2025\nJune 2025\nProject Development - Intermediate Stage\nFive - 8 x 1 hour drama series ($20,000)\nProduction Company - Easy Tiger Productions\nProducers - Rob Gibson, Ian Collie, Debi Marshall, Mark Morrissey\nWriters - Debi Marshall, Josh Reed, Franz Docherty\nInvestigative crime journalist Maggie Bresnehan is unwillingly drawn back into an | `pages/media-releases-index__03.html (https://www.screen.tas.gov.au/funding/approvals/june-2025)` |\n| $15,000, $20,000 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nFebruary 2025\nFebruary 2025\nProject Development – Intermediate Stage\nRemnant – 90 min Drama ($15,000)\nProduction Company – Good Thing Productions\nProducers – Nick Batzias, Virginia Whitwell\nDirector/Script Writer – Daniel Peek\nScript Editor – Michele Turnure-Salleo\nAlone and injured in the middle of the Tasmanian plateau, a bank robber fights | `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)` |\n| $30,000 | Project Development – Market Attached\nBay of Fires, season 3 – 6 x 60 min drama ($30,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducer – Marta Dusseldorp\nDirector – Jonathan Brough\nScript Writers – Max Dann, Romina Accurso\nDoP – Martin McGrath\nEditor – Dave Redman\nWriter – Hannah Samuel\nBurning something down doesn’t mean it’s dead\nFlick – 6 x 60 min drama ($30,000)\nProduction Company – Bobblehead Product | `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)` |\n| $20,000 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJuly 2024\nJuly 2024\nProject Development – Intermediate Stage\nThe Ballroom Forest – 8 x 1 hr drama ($20,000)\nProduction company – Sweetpotato Films\nProducer/Writer – Vicki Madden\nDirector – Sian Davies\nWhen Lucinda Tremayne, 17, vanishes after her debutante ball, only to resurface as a victim of murder, her killer believes he can evade justice | `pages/media-releases-index__06.html (https://www.screen.tas.gov.au/funding/approvals/july-2024)` |\n| $25,000, $10,000 | Short-form series booster\nThe Big Break\n– 8 x 10 min documentary series ($25,000)\nProduction company – Broken Yellow\nExecutive Producer – Navid Bahadori\nProducers – Grace Pestonji, Elena Arena\nDirectors – Tom Chapman, Eliya Cohen, Ursula Woods\nAustralian breakdancers take the art of breakdancing to the Olympic stage\nMainlanders\n– 6 x 8 min comedy series ($10,000)\nProduction company – Silly Goose Productions\nProducers – Hannah Brooks, Jacob Collin | `pages/media-releases-index__09.html (https://www.screen.tas.gov.au/funding/approvals/september_2023)` |\n| $15,000 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2023\nJune 2023\nMarket Attached Stage\nDear Ghosts\n– 6 x 30 min comedy series ($15,000)\nProduction Company – CJZ\nProducers – Damian Davis, Rachael Taylor\nWriter/Creators – Rachael Taylor, Sarah Scheller\nRecently widowed Marion wants to flee her hometown of Launceston for the fresh start she’s desperately craving, but there are aspects of h | `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)` |\n| $15,000 | Ground Up\n– 6 x 30 min comedy series ($15,000)\nWriter – Gary McCaffrie\nScript Editor/Director – Shaun Micallef\nThe Grot\n– 10 x 22 min animated comedy series ($15,000)\nProduction Company – Mighty Nice\nExecutive Creative Director - Darren Price\nCreative Producer- Matt Taylor\nEpisodic Director - Bonnie Forsyth\nLead Writer - Courtney Collins\nWriters - Dylan Hesp, Nathan Maynard, Michael O'Neill\nStory Editor - Vicki Madden\nA crime comedy about decepti | `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)` |\n| $25,000 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nMarch 2023\nMarch 2023\nMarket Attached Stage\nBay of Fires\n, season 2 – 8 x 1 hr drama series ($25,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducers – Marta Dusseldorp, Yvonne Collins\nWriters – Andrew Knight, Max Dann, Romina Accurso\nDirector – Wayne Blair\nMoney changes everything. | `pages/media-releases-index__11.html (https://www.screen.tas.gov.au/funding/approvals/march_2023)` |\n| $15,000 | Intermediate Stage\nBruny –\n6 x 1 hr drama series ($15,000)\nProduction Company – Film Art Media\nProducers – Sue Maslin, Charlotte Seymour\nWriters – Suzie Miller, Adam Thompson\nBruny\nis an incendiary environmental political thriller drama series about family, love, loyalty and the new world order\nDog Island\n– 90 min feature drama ($15,000)\nProduction Company – kutikina Productions\nProducers/Writers – Nathan Maynard, Adam Thompson\nMentor/Consultant | `pages/media-releases-index__11.html (https://www.screen.tas.gov.au/funding/approvals/march_2023)` |\n| $20,000, $10,700 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nNovember 2022\nNovember 2022\nAdvanced Stage\nSweet and Near\n– 100 min feature drama ($20,000)\nProduction company – Polaris Pictures\nProducers – Sue Clothier, Marta Dusseldorp\nWriter – Alicia Walsh\nWhen Hazel (11) and her family move to her dad Brendan’s family house in the small town of New Norfolk, her mum Annette is inspired by this new start | `pages/media-releases-index__12.html (https://www.screen.tas.gov.au/funding/approvals/november_2022)` |\n| $25 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nAugust 2022\nAugust 2022\nAdvanced Stage\nAnd the Ass Saw the Angel\n- 4 x 1 hour drama series ($25 000)\nProduction Company: Gypsy Moon\nProducers: Nick Batzias, Nick Cave, Justin Kurzel, Virginia Whitwell\nDirector: Justin Kurzel\nScriptwriter: Nam Le\nCompelling and astonishing, Nick Cave's acclaimed first novel is a fantastic journey into a world | `pages/media-releases-index__13.html (https://www.screen.tas.gov.au/funding/approvals/august_2022)` |\n| $15 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nMay 2022\nMay 2022\nIntermediate Stage\nBlack Eyed Kids – 7 x 1 hour drama series ($15 000)\nProduction company: Sweet Potato Films\nExecutive Producers: Jon Kramer, Joe Pruett,\nProducer/Writer: Victoria Madden\nAfter an unnaturally violent storm hits the small town of Sheffield, Tasmania, a group of children with unnaturally black eyes appear, int | `pages/media-releases-index__14.html (https://www.screen.tas.gov.au/funding/approvals/may_2022)` |\n| $15 | Untitled Made Up Stories Drama Series – 8 x 1 hour drama series ($15 000)\nProduction company: Made Up Stories\nExecutive Producers: Jodi Matterson, Bruna Papandrea, Janice Williams\nScript Writer: Emily Ballou\nCo-writer: Nathan Maynard\nFlat Earthers – 8 x 30 min comedy series ($15 000)\nProduction company: Blur Films\nProducers/Writers: Dylan Hesp, Michael O’Neill\nFour delusional flat earth theorists attempt to spread the truth in a world of unbeliev | `pages/media-releases-index__14.html (https://www.screen.tas.gov.au/funding/approvals/may_2022)` |\n| $15 | Tassie's HOT Right Now – 3 x 1 hour documentary series ($15 000)\nWriters/Producers: Celia Boden, Sue Clothier\nTassie's Hot Right Now\nshines a light on those people who have made the life changing decision to move to Tasmania as a direct result of climate change. | `pages/media-releases-index__23.html (https://www.screen.tas.gov.au/funding/approvals/april_2020)` |\n| $50,000 | Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nGames Development\nProduction and Release\nProduction and Release\nProduction and release can provide a maximum amount of $50,000 per project where a project is production-ready and its potential end user/target market and revenue streams can be confidently quantified. | `pages/media-releases-index.html (https://www.screen.tas.gov.au/funding/game_development/production_and_development)` |\n| $50,000 | It encourages Tasmanians to develop, adopt\nThe aim of this stage of funding is to prepare\nand exploit new and emerging business\nthe project for raising additional finance for\nmodels for the creation and delivery of\nfull-scale development.\ncompelling screen content, with a focus on\nthe creation and retention of Tasmanian Production and release can provide a\nintellectual property. maximum amount of $50,000 per project\nwhere a project is production- | `other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)` |\n\n## Key Achievements\n\n- You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070\n Source: `pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)`\n- Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell\nWriter/Director – Daniel Peek\nScript Editor - Michele Tunure-Salleo\nTrapped and injured in a car wreck, a bank robber negotiates the return of his kidnapped daughter.\n Source: `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2025\nJune 2025\nProject Development - Intermediate Stage\nFive - 8 x 1 hour drama series ($20,000)\nProduction Company - Easy Tiger Productions\nProducers - Rob Gibson, Ian Collie, Debi Marshall, Mark Morrissey\nWriters - Debi Marshall, Josh Reed, Franz Docherty\nInvestigative crime journalist Maggie Bresnehan is unwillingly drawn back into an investigation surrounding the four disappearances, and likely murders, of female backpackers around Tasmania that span three decades.\n Source: `pages/media-releases-index__03.html (https://www.screen.tas.gov.au/funding/approvals/june-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nFebruary 2025\nFebruary 2025\nProject Development – Intermediate Stage\nRemnant – 90 min Drama ($15,000)\nProduction Company – Good Thing Productions\nProducers – Nick Batzias, Virginia Whitwell\nDirector/Script Writer – Daniel Peek\nScript Editor – Michele Turnure-Salleo\nAlone and injured in the middle of the Tasmanian plateau, a bank robber fights for control of his gang, his family, and his freedom\nSongs for Freedom – 75 min documentary ($20,000)\nProduction Company – Big hART\nExecutive Producers – Angela Prior, Scott Rankin\nProducers – Angela Prior, Patrick Churnsid, Robyn Marias\nDirectors – Scott Rankin – Hillary Balmond\nWriters – Scott Rankin, Patrick Churnsid\nResearcher – Robyn Marias\nDoP – Anna Cadden\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Project Development – Market Attached\nBay of Fires, season 3 – 6 x 60 min drama ($30,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducer – Marta Dusseldorp\nDirector – Jonathan Brough\nScript Writers – Max Dann, Romina Accurso\nDoP – Martin McGrath\nEditor – Dave Redman\nWriter – Hannah Samuel\nBurning something down doesn’t mean it’s dead\nFlick – 6 x 60 min drama ($30,000)\nProduction Company – Bobblehead Productions\nShowrunners – Katie Robertson, Jack Yabsley\nA daydreaming relationship counsellor accidentally commits manslaughter on an abusive client...\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJuly 2024\nJuly 2024\nProject Development – Intermediate Stage\nThe Ballroom Forest – 8 x 1 hr drama ($20,000)\nProduction company – Sweetpotato Films\nProducer/Writer – Vicki Madden\nDirector – Sian Davies\nWhen Lucinda Tremayne, 17, vanishes after her debutante ball, only to resurface as a victim of murder, her killer believes he can evade justice.\n Source: `pages/media-releases-index__06.html (https://www.screen.tas.gov.au/funding/approvals/july-2024)`\n- Short-form series booster\nThe Big Break\n– 8 x 10 min documentary series ($25,000)\nProduction company – Broken Yellow\nExecutive Producer – Navid Bahadori\nProducers – Grace Pestonji, Elena Arena\nDirectors – Tom Chapman, Eliya Cohen, Ursula Woods\nAustralian breakdancers take the art of breakdancing to the Olympic stage\nMainlanders\n– 6 x 8 min comedy series ($10,000)\nProduction company – Silly Goose Productions\nProducers – Hannah Brooks, Jacob Collings\nWriters – Mick Davies, Ella Watkins\nDirector – Jacob Collings\nAfter surviving Sydney lockdowns, a wealthy mainland family move to Tasmania in an attempt to connect with their misunderstood teenagers, only to find the kids bond with the parents next door.\n Source: `pages/media-releases-index__09.html (https://www.screen.tas.gov.au/funding/approvals/september_2023)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2023\nJune 2023\nMarket Attached Stage\nDear Ghosts\n– 6 x 30 min comedy series ($15,000)\nProduction Company – CJZ\nProducers – Damian Davis, Rachael Taylor\nWriter/Creators – Rachael Taylor, Sarah Scheller\nRecently widowed Marion wants to flee her hometown of Launceston for the fresh start she’s desperately craving, but there are aspects of her life she cannot pack into a suitcase…. the ghost of her dead husband for a start!\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n- Ground Up\n– 6 x 30 min comedy series ($15,000)\nWriter – Gary McCaffrie\nScript Editor/Director – Shaun Micallef\nThe Grot\n– 10 x 22 min animated comedy series ($15,000)\nProduction Company – Mighty Nice\nExecutive Creative Director - Darren Price\nCreative Producer- Matt Taylor\nEpisodic Director - Bonnie Forsyth\nLead Writer - Courtney Collins\nWriters - Dylan Hesp, Nathan Maynard, Michael O'Neill\nStory Editor - Vicki Madden\nA crime comedy about deception, family and discovering what it takes to get filthy rich. 'The Grot' is a visceral animated series aimed at an audience aged 12 years plus.\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nMarch 2023\nMarch 2023\nMarket Attached Stage\nBay of Fires\n, season 2 – 8 x 1 hr drama series ($25,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducers – Marta Dusseldorp, Yvonne Collins\nWriters – Andrew Knight, Max Dann, Romina Accurso\nDirector – Wayne Blair\nMoney changes everything.\n Source: `pages/media-releases-index__11.html (https://www.screen.tas.gov.au/funding/approvals/march_2023)`\n- Intermediate Stage\nBruny –\n6 x 1 hr drama series ($15,000)\nProduction Company – Film Art Media\nProducers – Sue Maslin, Charlotte Seymour\nWriters – Suzie Miller, Adam Thompson\nBruny\nis an incendiary environmental political thriller drama series about family, love, loyalty and the new world order\nDog Island\n– 90 min feature drama ($15,000)\nProduction Company – kutikina Productions\nProducers/Writers – Nathan Maynard, Adam Thompson\nMentor/Consultant – Justin Kurzel\nA 13-year-old pakana boy takes on the responsibilities of an adult when his father drowns on a remote muttonbird island in Bass Strait.\n Source: `pages/media-releases-index__11.html (https://www.screen.tas.gov.au/funding/approvals/march_2023)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nNovember 2022\nNovember 2022\nAdvanced Stage\nSweet and Near\n– 100 min feature drama ($20,000)\nProduction company – Polaris Pictures\nProducers – Sue Clothier, Marta Dusseldorp\nWriter – Alicia Walsh\nWhen Hazel (11) and her family move to her dad Brendan’s family house in the small town of New Norfolk, her mum Annette is inspired by this new start, despite her husband’s increasingly controlling measures\nIntermediate Stage\nThe Secrets of the Lyrebird\n– 3 x 45 min documentary series ($10,700)\nProducer/Director – Nick Hayward\nWriter – Valerie Foley\nThe superb lyrebird is the world’s greatest songster and mimic.\n Source: `pages/media-releases-index__12.html (https://www.screen.tas.gov.au/funding/approvals/november_2022)`\n\n## Key Issues, Risks, and Recommendations\n\n- First Dog on the Moon – 10 x 30 minute animated comedy series ($8 000)\nProduction Company: Emerald Films\nProducers/Writers: Sally Browning, Monica O’Brien\nCreator/Writer: First Dog on the Moon\nWriters: Stephen Abbott\nFirst Dog On The Moon is an opinionated Australian canine who, with his marsupial mates, is navigating life, the universe and other big issues with 2020 hindsight.\n Source: `pages/media-releases-index__19.html (https://www.screen.tas.gov.au/funding/approvals/december_2020)`\n- [Page 11]\nThis policy is contained within the Treasurer’s ● Following consultation with the relevant\nInstructions issued under section 23 of Project Officer an extension period up\nthe Financial Management and Audit Act to a maximum of six months may be\n1990 and section 114 of the Government granted and a revised agreed delivery\nBusiness Enterprises Act 1995 relating to the date shall be approved in writing by\nConfidentiality of Government Contracts.\n Source: `other-pdfs/general_guidelines_and_terms_of_trade_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf)`\n- [pages 15,16,17]\ncreen Tasmania a qualified\noff or remake (including a program based on and approved consultant is employed\nthe format of the original program) is optioned at the production company’s expense\nor acquired, the following applies: to oversee Screen Tasmania’s interests\nin the production in terms of budget\n● if the sequel, spin-off or remake is to\nexpenditure.\nbe produced by the original producer\nor a Related Entity (see glossary for a Regardless of the above, Screen Tasmania\ndefinition of Related Entity), whether in retains the right to require a completion\nAustralia or elsewhere, Screen Tasmania guarantor if it identifies any risk it believes will\nrequires the right to receive a fee in the be alleviated by having a completion guarantor.\n Source: `other-pdfs/general_guidelines_and_terms_of_trade_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf)`\n- Wild Child: A guide to adventure parenting – 8 x 20 min online documentary series ($25 000)\nProduction company: Madam Noonan Holdings Pty Ltd\nExecutive Producers: PJ Madam, Tim Noonan\nConsulting Series Producer: Paula Bycroft\nA couple’s attempt to give their son an adventurous life is met with obstacles, fears and challenges - most of which are theirs...\n Source: `pages/media-releases-index__17.html (https://www.screen.tas.gov.au/funding/approvals/july_2021)`\n- You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070\n Source: `pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)`\n- Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell\nWriter/Director – Daniel Peek\nScript Editor - Michele Tunure-Salleo\nTrapped and injured in a car wreck, a bank robber negotiates the return of his kidnapped daughter.\n Source: `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2025\nJune 2025\nProject Development - Intermediate Stage\nFive - 8 x 1 hour drama series ($20,000)\nProduction Company - Easy Tiger Productions\nProducers - Rob Gibson, Ian Collie, Debi Marshall, Mark Morrissey\nWriters - Debi Marshall, Josh Reed, Franz Docherty\nInvestigative crime journalist Maggie Bresnehan is unwillingly drawn back into an investigation surrounding the four disappearances, and likely murders, of female backpackers around Tasmania that span three decades.\n Source: `pages/media-releases-index__03.html (https://www.screen.tas.gov.au/funding/approvals/june-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nFebruary 2025\nFebruary 2025\nProject Development – Intermediate Stage\nRemnant – 90 min Drama ($15,000)\nProduction Company – Good Thing Productions\nProducers – Nick Batzias, Virginia Whitwell\nDirector/Script Writer – Daniel Peek\nScript Editor – Michele Turnure-Salleo\nAlone and injured in the middle of the Tasmanian plateau, a bank robber fights for control of his gang, his family, and his freedom\nSongs for Freedom – 75 min documentary ($20,000)\nProduction Company – Big hART\nExecutive Producers – Angela Prior, Scott Rankin\nProducers – Angela Prior, Patrick Churnsid, Robyn Marias\nDirectors – Scott Rankin – Hillary Balmond\nWriters – Scott Rankin, Patrick Churnsid\nResearcher – Robyn Marias\nDoP – Anna Cadden\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Project Development – Market Attached\nBay of Fires, season 3 – 6 x 60 min drama ($30,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducer – Marta Dusseldorp\nDirector – Jonathan Brough\nScript Writers – Max Dann, Romina Accurso\nDoP – Martin McGrath\nEditor – Dave Redman\nWriter – Hannah Samuel\nBurning something down doesn’t mean it’s dead\nFlick – 6 x 60 min drama ($30,000)\nProduction Company – Bobblehead Productions\nShowrunners – Katie Robertson, Jack Yabsley\nA daydreaming relationship counsellor accidentally commits manslaughter on an abusive client...\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJuly 2024\nJuly 2024\nProject Development – Intermediate Stage\nThe Ballroom Forest – 8 x 1 hr drama ($20,000)\nProduction company – Sweetpotato Films\nProducer/Writer – Vicki Madden\nDirector – Sian Davies\nWhen Lucinda Tremayne, 17, vanishes after her debutante ball, only to resurface as a victim of murder, her killer believes he can evade justice.\n Source: `pages/media-releases-index__06.html (https://www.screen.tas.gov.au/funding/approvals/july-2024)`\n- Short-form series booster\nThe Big Break\n– 8 x 10 min documentary series ($25,000)\nProduction company – Broken Yellow\nExecutive Producer – Navid Bahadori\nProducers – Grace Pestonji, Elena Arena\nDirectors – Tom Chapman, Eliya Cohen, Ursula Woods\nAustralian breakdancers take the art of breakdancing to the Olympic stage\nMainlanders\n– 6 x 8 min comedy series ($10,000)\nProduction company – Silly Goose Productions\nProducers – Hannah Brooks, Jacob Collings\nWriters – Mick Davies, Ella Watkins\nDirector – Jacob Collings\nAfter surviving Sydney lockdowns, a wealthy mainland family move to Tasmania in an attempt to connect with their misunderstood teenagers, only to find the kids bond with the parents next door.\n Source: `pages/media-releases-index__09.html (https://www.screen.tas.gov.au/funding/approvals/september_2023)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2023\nJune 2023\nMarket Attached Stage\nDear Ghosts\n– 6 x 30 min comedy series ($15,000)\nProduction Company – CJZ\nProducers – Damian Davis, Rachael Taylor\nWriter/Creators – Rachael Taylor, Sarah Scheller\nRecently widowed Marion wants to flee her hometown of Launceston for the fresh start she’s desperately craving, but there are aspects of her life she cannot pack into a suitcase…. the ghost of her dead husband for a start!\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n- Ground Up\n– 6 x 30 min comedy series ($15,000)\nWriter – Gary McCaffrie\nScript Editor/Director – Shaun Micallef\nThe Grot\n– 10 x 22 min animated comedy series ($15,000)\nProduction Company – Mighty Nice\nExecutive Creative Director - Darren Price\nCreative Producer- Matt Taylor\nEpisodic Director - Bonnie Forsyth\nLead Writer - Courtney Collins\nWriters - Dylan Hesp, Nathan Maynard, Michael O'Neill\nStory Editor - Vicki Madden\nA crime comedy about deception, family and discovering what it takes to get filthy rich. 'The Grot' is a visceral animated series aimed at an audience aged 12 years plus.\n Source: `pages/media-releases-index__10.html (https://www.screen.tas.gov.au/funding/approvals/june_2023)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nMarch 2023\nMarch 2023\nMarket Attached Stage\nBay of Fires\n, season 2 – 8 x 1 hr drama series ($25,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducers – Marta Dusseldorp, Yvonne Collins\nWriters – Andrew Knight, Max Dann, Romina Accurso\nDirector – Wayne Blair\nMoney changes everything.\n Source: `pages/media-releases-index__11.html (https://www.screen.tas.gov.au/funding/approvals/march_2023)`\n\n## Corporate Values and Operating Culture\n\n- [pages 7,8,9]\nth central management and control in\nAustralia\n4.2 Expatriate Tasmanians\n● be represented by a professional in the\nExpatriate Tasmanians are eligible to apply for\nindustry, or be able to show evidence of a\nProduction Support and Project Development\ncommitment to a professional career in the\n(without a partnership), but are ineligible to\nscreen industry.\napply for all other programs.\n Source: `other-pdfs/general_guidelines_and_terms_of_trade_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf)`\n- You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070\n Source: `pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)`\n- Frankie Sunday – 6 x 1 hr drama ($20,000)\nProduction Company – Archipelago Productions\nProducers – Marta Dusseldorp, Ben Winspear\nWriters – Gareth Calverly, Chris Roach, Belinda Bradley\nFrankie Sunday\nis a Tasmanian sports drama about the first woman to compete with men in the sport of wood chopping; a pioneer and legend\nRemnant - 90 min feature drama ($12,000)\nProduction Company – GoodThing Productions\nProducers – Nick Batzias, Virginia Whitwell\nWriter/Director – Daniel Peek\nScript Editor - Michele Tunure-Salleo\nTrapped and injured in a car wreck, a bank robber negotiates the return of his kidnapped daughter.\n Source: `pages/media-releases-index__01.html (https://www.screen.tas.gov.au/funding/approvals/december-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJune 2025\nJune 2025\nProject Development - Intermediate Stage\nFive - 8 x 1 hour drama series ($20,000)\nProduction Company - Easy Tiger Productions\nProducers - Rob Gibson, Ian Collie, Debi Marshall, Mark Morrissey\nWriters - Debi Marshall, Josh Reed, Franz Docherty\nInvestigative crime journalist Maggie Bresnehan is unwillingly drawn back into an investigation surrounding the four disappearances, and likely murders, of female backpackers around Tasmania that span three decades.\n Source: `pages/media-releases-index__03.html (https://www.screen.tas.gov.au/funding/approvals/june-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nFebruary 2025\nFebruary 2025\nProject Development – Intermediate Stage\nRemnant – 90 min Drama ($15,000)\nProduction Company – Good Thing Productions\nProducers – Nick Batzias, Virginia Whitwell\nDirector/Script Writer – Daniel Peek\nScript Editor – Michele Turnure-Salleo\nAlone and injured in the middle of the Tasmanian plateau, a bank robber fights for control of his gang, his family, and his freedom\nSongs for Freedom – 75 min documentary ($20,000)\nProduction Company – Big hART\nExecutive Producers – Angela Prior, Scott Rankin\nProducers – Angela Prior, Patrick Churnsid, Robyn Marias\nDirectors – Scott Rankin – Hillary Balmond\nWriters – Scott Rankin, Patrick Churnsid\nResearcher – Robyn Marias\nDoP – Anna Cadden\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Project Development – Market Attached\nBay of Fires, season 3 – 6 x 60 min drama ($30,000)\nProduction Company – Bay of Fires Productions\nExecutive Producer – Greg Sitch\nProducer – Marta Dusseldorp\nDirector – Jonathan Brough\nScript Writers – Max Dann, Romina Accurso\nDoP – Martin McGrath\nEditor – Dave Redman\nWriter – Hannah Samuel\nBurning something down doesn’t mean it’s dead\nFlick – 6 x 60 min drama ($30,000)\nProduction Company – Bobblehead Productions\nShowrunners – Katie Robertson, Jack Yabsley\nA daydreaming relationship counsellor accidentally commits manslaughter on an abusive client...\n Source: `pages/media-releases-index__04.html (https://www.screen.tas.gov.au/funding/approvals/february-2025)`\n- Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nJuly 2024\nJuly 2024\nProject Development – Intermediate Stage\nThe Ballroom Forest – 8 x 1 hr drama ($20,000)\nProduction company – Sweetpotato Films\nProducer/Writer – Vicki Madden\nDirector – Sian Davies\nWhen Lucinda Tremayne, 17, vanishes after her debutante ball, only to resurface as a victim of murder, her killer believes he can evade justice.\n Source: `pages/media-releases-index__06.html (https://www.screen.tas.gov.au/funding/approvals/july-2024)`\n- Short-form series booster\nThe Big Break\n– 8 x 10 min documentary series ($25,000)\nProduction company – Broken Yellow\nExecutive Producer – Navid Bahadori\nProducers – Grace Pestonji, Elena Arena\nDirectors – Tom Chapman, Eliya Cohen, Ursula Woods\nAustralian breakdancers take the art of breakdancing to the Olympic stage\nMainlanders\n– 6 x 8 min comedy series ($10,000)\nProduction company – Silly Goose Productions\nProducers – Hannah Brooks, Jacob Collings\nWriters – Mick Davies, Ella Watkins\nDirector – Jacob Collings\nAfter surviving Sydney lockdowns, a wealthy mainland family move to Tasmania in an attempt to connect with their misunderstood teenagers, only to find the kids bond with the parents next door.\n Source: `pages/media-releases-index__09.html (https://www.screen.tas.gov.au/funding/approvals/september_2023)`\n\n## Global Ideas and Case Study Inputs\n\n_No global-intelligence source text found yet. Run `CLAUDE/global-ideas-scraper.py ` to populate case-study sources._\n\n## Source Artifacts Used\n\n- `pages/about.html` - pages - https://www.screen.tas.gov.au/about_us\n- `pages/contact.html` - pages - https://www.screen.tas.gov.au/about_us/contact_us\n- `pages/homepage.html` - pages - https://www.screen.tas.gov.au/\n- `pages/media-releases-index.html` - pages - https://www.screen.tas.gov.au/funding/game_development/production_and_development\n- `pages/media-releases-index__00.html` - pages - https://www.screen.tas.gov.au/funding/game_development/production_and_development\n- `pages/media-releases-index__01.html` - pages - https://www.screen.tas.gov.au/funding/approvals/december-2025\n- `pages/media-releases-index__02.html` - pages - https://www.screen.tas.gov.au/funding/approvals/september-2025\n- `pages/media-releases-index__03.html` - pages - https://www.screen.tas.gov.au/funding/approvals/june-2025\n- `pages/media-releases-index__04.html` - pages - https://www.screen.tas.gov.au/funding/approvals/february-2025\n- `pages/media-releases-index__05.html` - pages - https://www.screen.tas.gov.au/funding/approvals/november-2024\n- `pages/media-releases-index__06.html` - pages - https://www.screen.tas.gov.au/funding/approvals/july-2024\n- `pages/media-releases-index__07.html` - pages - https://www.screen.tas.gov.au/funding/approvals/april_2024\n- `pages/media-releases-index__08.html` - pages - https://www.screen.tas.gov.au/funding/approvals/december_2023\n- `pages/media-releases-index__09.html` - pages - https://www.screen.tas.gov.au/funding/approvals/september_2023\n- `pages/media-releases-index__10.html` - pages - https://www.screen.tas.gov.au/funding/approvals/june_2023\n- `pages/media-releases-index__11.html` - pages - https://www.screen.tas.gov.au/funding/approvals/march_2023\n- `pages/media-releases-index__12.html` - pages - https://www.screen.tas.gov.au/funding/approvals/november_2022\n- `pages/media-releases-index__13.html` - pages - https://www.screen.tas.gov.au/funding/approvals/august_2022\n- `pages/media-releases-index__14.html` - pages - https://www.screen.tas.gov.au/funding/approvals/may_2022\n- `pages/media-releases-index__15.html` - pages - https://www.screen.tas.gov.au/funding/approvals/february_2022\n- `pages/media-releases-index__16.html` - pages - https://www.screen.tas.gov.au/funding/approvals/october_2021\n- `pages/media-releases-index__17.html` - pages - https://www.screen.tas.gov.au/funding/approvals/july_2021\n- `pages/media-releases-index__18.html` - pages - https://www.screen.tas.gov.au/funding/approvals/march_2021\n- `pages/media-releases-index__19.html` - pages - https://www.screen.tas.gov.au/funding/approvals/december_2020\n- `pages/media-releases-index__20.html` - pages - https://www.screen.tas.gov.au/funding/approvals/august_2020\n- `pages/media-releases-index__21.html` - pages - https://www.screen.tas.gov.au/funding/approvals/june_2020\n- `pages/media-releases-index__22.html` - pages - https://www.screen.tas.gov.au/funding/approvals/may_2020\n- `pages/media-releases-index__23.html` - pages - https://www.screen.tas.gov.au/funding/approvals/april_2020\n- `pages/media-releases-index__24.html` - pages - https://www.screen.tas.gov.au/funding/approvals/february_2020\n- `pages/media-releases-index__25.html` - pages - https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf\n- `pages/media-releases-index__26.html` - pages - https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf\n- `other-pdfs/games_development_guidelines_2023.pdf` - other-pdfs - https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf\n- `other-pdfs/general_guidelines_and_terms_of_trade_2023.pdf` - other-pdfs - https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf\n\n## Gaps To Fix\n\n- No corporate plan text source found.\n- No annual report text source found.\n- No global comparison/case-study sources found.", "legislation_md": "# Screen Tasmania - Acts and Legislation Discovery\n\n**Generated at**: 2026-05-09T21:44:54.700666+00:00\n**Entity ID**: S-TAS-030\n**Jurisdiction**: Tasmania\n**Portfolio**: Arts\n\n> This is an evidence-based discovery list from scraped department material. A mention does not always mean the department administers the legislation; high-confidence and official register links should be reviewed.\n\n## Summary\n\n- Source files scanned: 33\n- Unique legislation references found: 4\n\n| Type | Count |\n|---|---:|\n| Act | 4 |\n\n## Legislation References\n\n### Business Enterprises Act 1995\n\n**Type**: Act\n**Confidence**: low\n**Mentions**: 1\n**Register search**: https://www.legislation.tas.gov.au/search?query=Business+Enterprises+Act+1995\n\n**Sources**:\n- `other-pdfs/general_guidelines_and_terms_of_trade_2023.pages.jsonl`\n\n**Evidence contexts**:\n- consultation with the relevant\nInstructions issued under section 23 of Project Officer an extension period up\nthe Financial Management and Audit Act to a maximum of six months may be\n1990 and section 114 of the Government granted and a revised agreed delivery\nBusiness Enterprises Act 1995 relating to the date shall be approved in writing by\nConfidentiality of Government Contracts. Screen Tasmania. No further extensions\nFurther details can be found on the shall be given unless the Applicant can\nDepartment of Treasury and Finance website: prove\n Source: `other-pdfs/general_guidelines_and_terms_of_trade_2023.pages.jsonl`\n\n### Cultural and Creative Industries Act 2017\n\n**Type**: Act\n**Confidence**: low\n**Mentions**: 1\n**Register search**: https://www.legislation.tas.gov.au/search?query=Cultural+and+Creative+Industries+Act+2017\n\n**Sources**:\n- `pages/about.html`\n\n**Evidence contexts**:\n- on of Tasmanian screen projects including drama, documentaries, feature films, television series, online projects, video games and digital media, and provide direct support in the form of industry and professional development.\nScreen Tasmania is guided by the\nCultural and Creative Industries Act 2017\nand the\nCultural and Creative Industries Recovery Strategy: 2020 and Beyond\n.\nHow we can assist\nIf you are looking for funding support, please read the\nGeneral Guidelines and Terms of Trade (PDF 2.5 MB)\ndocument to help you determine if you and your project a\n Source: `pages/about.html`\n\n### Personal Information Protection Act 2004\n\n**Type**: Act\n**Confidence**: low\n**Mentions**: 1\n**Register search**: https://www.legislation.tas.gov.au/search?query=Personal+Information+Protection+Act+2004\n\n**Sources**:\n- `other-pdfs/games_development_guidelines_2023.pages.jsonl`\n\n**Evidence contexts**:\n- sidered by the department to be all or any part of the funding agreement or\nappropriate. deed without reference to another party.\nScreen Tasmania will engage with successful ● Please note that all obligations under the\napplicants and other relevant parties to Personal Information Protection Act 2004\norganise an appropriate method and time for (Tas) and the Privacy Act 1988 (Cwlth) still\nthe announcement of support. apply.\n12. Right to information 16. Disclaimer\nInformation provided to the Department of Although care has been taken in the preparation\nStat\n Source: `other-pdfs/games_development_guidelines_2023.pages.jsonl`\n\n### Tas) and the Privacy Act 1988\n\n**Type**: Act\n**Confidence**: low\n**Mentions**: 1\n**Register search**: https://www.legislation.tas.gov.au/search?query=Tas%29+and+the+Privacy+Act+1988\n\n**Sources**:\n- `other-pdfs/games_development_guidelines_2023.pages.jsonl`\n\n**Evidence contexts**:\n- e. deed without reference to another party.\nScreen Tasmania will engage with successful ● Please note that all obligations under the\napplicants and other relevant parties to Personal Information Protection Act 2004\norganise an appropriate method and time for (Tas) and the Privacy Act 1988 (Cwlth) still\nthe announcement of support. apply.\n12. Right to information 16. Disclaimer\nInformation provided to the Department of Although care has been taken in the preparation\nState Growth may be subject to disclosure in of this document, no warranty, exp\n Source: `other-pdfs/games_development_guidelines_2023.pages.jsonl`\n\n## Files Scanned\n\n- `pages/about.html` (page)\n- `pages/contact.html` (page)\n- `pages/homepage.html` (page)\n- `pages/media-releases-index.html` (page)\n- `pages/media-releases-index__00.html` (page)\n- `pages/media-releases-index__01.html` (page)\n- `pages/media-releases-index__02.html` (page)\n- `pages/media-releases-index__03.html` (page)\n- `pages/media-releases-index__04.html` (page)\n- `pages/media-releases-index__05.html` (page)\n- `pages/media-releases-index__06.html` (page)\n- `pages/media-releases-index__07.html` (page)\n- `pages/media-releases-index__08.html` (page)\n- `pages/media-releases-index__09.html` (page)\n- `pages/media-releases-index__10.html` (page)\n- `pages/media-releases-index__11.html` (page)\n- `pages/media-releases-index__12.html` (page)\n- `pages/media-releases-index__13.html` (page)\n- `pages/media-releases-index__14.html` (page)\n- `pages/media-releases-index__15.html` (page)\n- `pages/media-releases-index__16.html` (page)\n- `pages/media-releases-index__17.html` (page)\n- `pages/media-releases-index__18.html` (page)\n- `pages/media-releases-index__19.html` (page)\n- `pages/media-releases-index__20.html` (page)\n- `pages/media-releases-index__21.html` (page)\n- `pages/media-releases-index__22.html` (page)\n- `pages/media-releases-index__23.html` (page)\n- `pages/media-releases-index__24.html` (page)\n- `pages/media-releases-index__25.html` (page)\n- `pages/media-releases-index__26.html` (page)\n- `other-pdfs/games_development_guidelines_2023.pages.jsonl` (pdf_pages)\n- `other-pdfs/general_guidelines_and_terms_of_trade_2023.pages.jsonl` (pdf_pages)", "global_initiatives_md": null, "strategy": { "reporting_period": "2024-25", "corporate_plan_period": "2025-26", "vision": null, "vision_source_page": null, "purposes": null, "purposes_source_page": null, "how_we_deliver": null, "how_we_deliver_source_page": null, "government_priorities": [], "outcomes": [], "values": [], "values_framework_name": null, "kpi_targets_2025_26": [], "kpi_results_2024_25": [], "_source_urls": { "annual_report_url": "", "corporate_plan_url": "" } }, "ideas": [ { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Procurement & Delivery", "scale": "small", "title": "Procurement lessons library for repeat purchases", "idea": "Capture reusable procurement clauses, market lessons, supplier performance notes, and common evaluation criteria.", "quote": "You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070", "impact": "High", "effort": "Low", "proof": "Evidence-backed", "beneficiaries": "Delivery teams / suppliers", "source": "pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)", "implementation": [ "Pick one high-volume process or document family.", "Name an owner and baseline current volume, time, cost, and satisfaction.", "Run a 4-8 week pilot with clear before/after metrics.", "Publish lessons and decide whether to scale." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Procurement & Delivery", "scale": "large", "title": "Portfolio delivery office for major investments", "idea": "Stand up a portfolio delivery office that tracks benefits, risks, dependencies, procurement, and delivery confidence.", "quote": "You can discuss your project with a member of our team before you submit an application by contacting 03 6165 5070 or email us at\ninfo@screen.tas.gov.au\nCreative Tasmania\nDr David Sudmalis\nDirector\ndavid.sudmalis@arts.tas.gov.au\n(03) 6165  6666\nManagement and Project Development\nAlex Sangston\nManager\nalex.sangston@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nEvan Maloney\nProject Development Manager\ninfo@screen.tas.gov.au\n(03) 6165 5070\nProject Development\nProduction Investment\nEmma Moroney\nA/g Production Investment Manager\nemma.moroney@screen.tas.gov.au\n(03) 6166 3411\nProduction Support/Investment\nProject Development\nAndrew McPhail\nProduction Manager\n(Working on special strategic projects with the Director)\nandrew.mcphail@screen.tas.gov.au\n(03) 6165 5070\nProduction Support\nIndustry Development\nPJ Madam\nIndustry Development Manager\npj.madam@screen.tas.gov.au\n(03) 6165 5070", "impact": "Very High", "effort": "High", "proof": "Evidence-backed", "beneficiaries": "Delivery teams / suppliers", "source": "pages/contact.html (https://www.screen.tas.gov.au/about_us/contact_us)", "implementation": [ "Create a senior responsible owner and cross-functional delivery team.", "Map legislation, data, privacy, procurement, cyber, and workforce constraints.", "Co-design with users and frontline staff before technology selection.", "Stage delivery through pilots, benefits tracking, and public reporting." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Regulation & Policy", "scale": "small", "title": "Regulatory burden scan for forms, guidance, and reporting", "idea": "Identify the top 10 highest-friction reporting obligations and simplify guidance, forms, or evidence requirements.", "quote": "[pages 5,6,7]\nof an identified target\n● for conceptual design only, be a audience, identifiable marketing and\nTasmanian practitioner, as part of a distribution opportunities, and the\nTasmanian-based team (this does not potential distribution platforms and\npreclude a Tasmanian-based team revenue streams.\nworking in conjunction with non-\n● The scope of the project and the degree\nTasmanians).\nto which the concept is innovative,\nProjects must: interactive and achievable.\n● be substantially developed in Tasmania Priority will be given to projects that have\nor and/or co-developed by a Tasmanian- marketplace attachment or financial support\nbased studio, and from other screen agencies.", "impact": "High", "effort": "Low", "proof": "Evidence-backed", "beneficiaries": "Regulated entities / policy teams", "source": "other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)", "implementation": [ "Pick one high-volume process or document family.", "Name an owner and baseline current volume, time, cost, and satisfaction.", "Run a 4-8 week pilot with clear before/after metrics.", "Publish lessons and decide whether to scale." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability", "Regulatory capture", "Over-automation of judgement" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Regulation & Policy", "scale": "large", "title": "Adaptive regulation program with live feedback loops", "idea": "Create an adaptive regulation model using sandboxes, industry data, risk scoring, and regular rule updates.", "quote": "[pages 5,6,7]\nof an identified target\n● for conceptual design only, be a audience, identifiable marketing and\nTasmanian practitioner, as part of a distribution opportunities, and the\nTasmanian-based team (this does not potential distribution platforms and\npreclude a Tasmanian-based team revenue streams.\nworking in conjunction with non-\n● The scope of the project and the degree\nTasmanians).\nto which the concept is innovative,\nProjects must: interactive and achievable.\n● be substantially developed in Tasmania Priority will be given to projects that have\nor and/or co-developed by a Tasmanian- marketplace attachment or financial support\nbased studio, and from other screen agencies.", "impact": "Very High", "effort": "High", "proof": "Evidence-backed", "beneficiaries": "Regulated entities / policy teams", "source": "other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)", "implementation": [ "Create a senior responsible owner and cross-functional delivery team.", "Map legislation, data, privacy, procurement, cyber, and workforce constraints.", "Co-design with users and frontline staff before technology selection.", "Stage delivery through pilots, benefits tracking, and public reporting." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability", "Regulatory capture", "Over-automation of judgement" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Data & Performance", "scale": "small", "title": "KPI evidence register with named owners", "idea": "Create a simple register mapping each KPI to source data, owner, frequency, target, and last result.", "quote": "[Page 6]\n2.1 Additional criteria for Applicants without internet access should\ncontact Screen Tasmania to discuss alternative\nProduction and Release\nmethods.\n● Evidence of potential end user/target\n1.", "impact": "High", "effort": "Low", "proof": "Evidence-backed", "beneficiaries": "Executives / Parliament / public", "source": "other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)", "implementation": [ "Pick one high-volume process or document family.", "Name an owner and baseline current volume, time, cost, and satisfaction.", "Run a 4-8 week pilot with clear before/after metrics.", "Publish lessons and decide whether to scale." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Data & Performance", "scale": "large", "title": "Outcome dashboard linking budget, delivery, and public impact", "idea": "Build a public-facing outcome dashboard showing spend, outputs, outcomes, and delivery confidence.", "quote": "[Page 6]\n2.1 Additional criteria for Applicants without internet access should\ncontact Screen Tasmania to discuss alternative\nProduction and Release\nmethods.\n● Evidence of potential end user/target\n1.", "impact": "Very High", "effort": "High", "proof": "Evidence-backed", "beneficiaries": "Executives / Parliament / public", "source": "other-pdfs/games_development_guidelines_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0007/460582/games_development_guidelines_2023.pdf)", "implementation": [ "Create a senior responsible owner and cross-functional delivery team.", "Map legislation, data, privacy, procurement, cyber, and workforce constraints.", "Co-design with users and frontline staff before technology selection.", "Stage delivery through pilots, benefits tracking, and public reporting." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Case Processing", "scale": "small", "title": "Triage queue for stuck or ageing cases", "idea": "Use existing case data to flag ageing, duplicate, incomplete, or high-risk cases for earlier intervention.", "quote": "Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nAugust 2022\nAugust 2022\nAdvanced Stage\nAnd the Ass Saw the Angel\n- 4 x 1 hour drama series ($25 000)\nProduction Company: Gypsy Moon\nProducers: Nick Batzias, Nick Cave, Justin Kurzel, Virginia Whitwell\nDirector: Justin Kurzel\nScriptwriter: Nam Le\nCompelling and astonishing, Nick Cave's acclaimed first novel is a fantastic journey into a world of Gothic tragedy.", "impact": "High", "effort": "Low", "proof": "Evidence-backed", "beneficiaries": "Applicants / case officers", "source": "pages/media-releases-index__13.html (https://www.screen.tas.gov.au/funding/approvals/august_2022)", "implementation": [ "Pick one high-volume process or document family.", "Name an owner and baseline current volume, time, cost, and satisfaction.", "Run a 4-8 week pilot with clear before/after metrics.", "Publish lessons and decide whether to scale." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Case Processing", "scale": "large", "title": "End-to-end case processing redesign", "idea": "Redesign the case pathway around risk-based triage, reusable evidence, and automated eligibility checks.", "quote": "Skip to content\nHome\nClose this menu\nScreen Tasmania\nScreen Tasmania\nGrants and funding\nFunding approvals\nAugust 2022\nAugust 2022\nAdvanced Stage\nAnd the Ass Saw the Angel\n- 4 x 1 hour drama series ($25 000)\nProduction Company: Gypsy Moon\nProducers: Nick Batzias, Nick Cave, Justin Kurzel, Virginia Whitwell\nDirector: Justin Kurzel\nScriptwriter: Nam Le\nCompelling and astonishing, Nick Cave's acclaimed first novel is a fantastic journey into a world of Gothic tragedy.", "impact": "Very High", "effort": "High", "proof": "Evidence-backed", "beneficiaries": "Applicants / case officers", "source": "pages/media-releases-index__13.html (https://www.screen.tas.gov.au/funding/approvals/august_2022)", "implementation": [ "Create a senior responsible owner and cross-functional delivery team.", "Map legislation, data, privacy, procurement, cyber, and workforce constraints.", "Co-design with users and frontline staff before technology selection.", "Stage delivery through pilots, benefits tracking, and public reporting." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Citizen Participation", "scale": "small", "title": "Consultation feedback summaries with response tracking", "idea": "Summarise consultation submissions by theme and publish what changed in response.", "quote": "Wild Child: A guide to adventure parenting – 8 x 20 min online documentary series ($25 000)\nProduction company: Madam Noonan Holdings Pty Ltd\nExecutive Producers: PJ Madam, Tim Noonan\nConsulting Series Producer: Paula Bycroft\nA couple’s attempt to give their son an adventurous life is met with obstacles, fears and challenges - most of which are theirs...", "impact": "High", "effort": "Low", "proof": "Evidence-backed", "beneficiaries": "Citizens / stakeholders / policy teams", "source": "pages/media-releases-index__17.html (https://www.screen.tas.gov.au/funding/approvals/july_2021)", "implementation": [ "Pick one high-volume process or document family.", "Name an owner and baseline current volume, time, cost, and satisfaction.", "Run a 4-8 week pilot with clear before/after metrics.", "Publish lessons and decide whether to scale." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability", "Digital exclusion", "Low public trust if feedback is not acted on" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Citizen Participation", "scale": "large", "title": "Always-on policy participation platform", "idea": "Create a standing participation platform where citizens and stakeholders can propose, vote, and track ideas.", "quote": "Wild Child: A guide to adventure parenting – 8 x 20 min online documentary series ($25 000)\nProduction company: Madam Noonan Holdings Pty Ltd\nExecutive Producers: PJ Madam, Tim Noonan\nConsulting Series Producer: Paula Bycroft\nA couple’s attempt to give their son an adventurous life is met with obstacles, fears and challenges - most of which are theirs...", "impact": "Very High", "effort": "High", "proof": "Evidence-backed", "beneficiaries": "Citizens / stakeholders / policy teams", "source": "pages/media-releases-index__17.html (https://www.screen.tas.gov.au/funding/approvals/july_2021)", "implementation": [ "Create a senior responsible owner and cross-functional delivery team.", "Map legislation, data, privacy, procurement, cyber, and workforce constraints.", "Co-design with users and frontline staff before technology selection.", "Stage delivery through pilots, benefits tracking, and public reporting." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability", "Digital exclusion", "Low public trust if feedback is not acted on" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Risk & Assurance", "scale": "small", "title": "Recommendation tracker for audits, reviews, and inquiries", "idea": "Publish a single internal tracker for audit/review recommendations, owners, due dates, and implementation evidence.", "quote": "[Page 11]\nThis policy is contained within the Treasurer’s ● Following consultation with the relevant\nInstructions issued under section 23 of Project Officer an extension period up\nthe Financial Management and Audit Act to a maximum of six months may be\n1990 and section 114 of the Government granted and a revised agreed delivery\nBusiness Enterprises Act 1995 relating to the date shall be approved in writing by\nConfidentiality of Government Contracts.", "impact": "High", "effort": "Low", "proof": "Evidence-backed", "beneficiaries": "Executives / assurance teams", "source": "other-pdfs/general_guidelines_and_terms_of_trade_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf)", "implementation": [ "Pick one high-volume process or document family.", "Name an owner and baseline current volume, time, cost, and satisfaction.", "Run a 4-8 week pilot with clear before/after metrics.", "Publish lessons and decide whether to scale." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability", "Regulatory capture", "Over-automation of judgement" ] }, { "entity_id": "S-TAS-030", "entity_name": "Screen Tasmania", "folder_name": "Screen-Tasmania", "category": "Risk & Assurance", "scale": "large", "title": "Integrated assurance and lessons-learned system", "idea": "Create an assurance system that connects audit findings, risk registers, delivery reviews, and investment decisions.", "quote": "[Page 11]\nThis policy is contained within the Treasurer’s ● Following consultation with the relevant\nInstructions issued under section 23 of Project Officer an extension period up\nthe Financial Management and Audit Act to a maximum of six months may be\n1990 and section 114 of the Government granted and a revised agreed delivery\nBusiness Enterprises Act 1995 relating to the date shall be approved in writing by\nConfidentiality of Government Contracts.", "impact": "Very High", "effort": "High", "proof": "Evidence-backed", "beneficiaries": "Executives / assurance teams", "source": "other-pdfs/general_guidelines_and_terms_of_trade_2023.pdf (https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf)", "implementation": [ "Create a senior responsible owner and cross-functional delivery team.", "Map legislation, data, privacy, procurement, cyber, and workforce constraints.", "Co-design with users and frontline staff before technology selection.", "Stage delivery through pilots, benefits tracking, and public reporting." ], "risks": [ "Privacy and data quality", "Change fatigue", "Unclear accountability", "Regulatory capture", "Over-automation of judgement" ] } ], "legislation_administered": [], "artifacts": [ { "category": "other-pdfs", "year": "2023", "url": "https://www.screen.tas.gov.au/__data/assets/pdf_file/0008/460916/general_guidelines_and_terms_of_trade_2023.pdf", "file": 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